Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Darf ich wagen dich zu fragen Antonin Borovicka / Arr. Franz Bummerl
mit Text- und Gesangsstimmen
Deutscher Titel: Darf ich wagen dich zu fragen
Originaltitel: Jawa Polka
Besetzung / Instrumentation: Blasorchester
Stil/Art: Polka, Böhmisch
Komponist: Antonin Borovicka
Textdichter: Franz-Josef Ulmer
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: 00:03:17
Interpret: Diverse, Ernst Mosch und seine Original Egerländ ...
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Duration: 3:17 min
Difficulty: 3
Difficulty: 3
Article Nr: 110191
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Das ist Musik / Du mein Liebling Karel Vacek / Arr. Franz Bummerl
Das ist Musik (Hej pánimámo) (Polka) / Du mein Liebling (Nano, Nano) (Polka)
Das ist Musik
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Karel Vacek
Arrangeur: Gerald Weinkopf, Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: 00:03:01
Interpret: Ernst Mosch und seine Original Egerländer Musikanten
Aufnahme: Egerländer Wunschkonzert ...
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Duration: 3:00 + 3:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 110189
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Die schöne Egerländerin Traditional / Arr. Franz Bummerl
Besetzung: Blasorchester
Stil / Art: Walzer, Böhmisch
Komponist: Traditional
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe | 2
Spieldauer: 00:03:12
Interpret: Ernst Mosch und seine Egerländer Musikanten
Format: DIN A5
Die schöne Egerländerin ein absoluter Klassiker der Original Egerländer Musikanten und Ernst Mosch.
Pocapelska
EWOTON Musikverlag
2 ...
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Duration: 3:12 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 123778
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Egerländer Trachtenpolka / Im Rosengarten Franz Bummerl / Arr. Franz Bummerl
Egerländer Trachtenpolka
Besetzung: Blasorchester
Stil/Art: Polka, Böhmisch
Komponist: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 02:41
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Erscheinungsjahr: -
Im Rosengarten
Besetzung: Blasorchester
Stil/Art: Walzer, Böhmisch
Komponist: Franz Bummerl
Schwierigkeitsgrad: ...
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Duration: 2:41 & 2:59 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 110190
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Es-As-Polka Bedrich Ondracek / Arr. Franz Bummerl
Die Es-As Polka ist ein alter Klassiker von Ernst Mosch und seinen Original Egerländer Musikanten. Sie ist ein schwungvolles Stück, das nach seinen beiden Haupttonarten Es und As benannt ist.
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch,
Komponist: Bedrich OndracekGerald Weinkopf
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:02:56
Interpret: Ernst Mosch ...
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Duration: 02:56 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 106087
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Feuerfest-Polka, Op. 269 Josef Strauss / Arr. Freek Mestrini
Polka française (1869)
Feuerfest-Polka, Op. 269
Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Konzertpolka
Komponist: Josef Strauss, Op. 261Freek Mestrini
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Spieldauer: 00:02:56
Aufnahme: EWO Disc 11 (CD8011)
Format: DIN A4
Erscheinungsjahr: -
Die Feuerfest Polka Op. 269 wurde 1869 von Josef Strauss als Auftragskompositio ...
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Duration: 2:40 min
Difficulty: 2
Difficulty: 2
Article Nr: 106103
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Besetzung: Blasorchester
Stil / Art: Art: Polka, Böhmisch
Komponist: Hubert Wolf
Textdichter: Ino Czech
Arrangeur: Franz Watz
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Format: DIN A5
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Duration: --:-- min
Difficulty: 2+
Difficulty: 2+
Article Nr: 106157
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Im Wäldchen - 7er Besetzung Karel Sejk / Arr. Werner Schreml
Besetzung: 7er Besetzung
Stil / Art: Polka, Böhmisch
Format: DIN A4
Erscheinungsjahr: 2023
Im Wäldchen - die mit Abstand bekannteste Polka von Karel Sejk jetzt auch für 7er Besetzung!
Die kleine Besetzung mit Blechblasinstrumenten stellt die Wurzel innerhalb der Böhmischen Blasmusik dar. Ab den späten 20er Jahren bis in die 50er hinein fand man bei Egerländerformatione ...
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Duration: 2:50 min
Difficulty: 2
Difficulty: 2
Article Nr: 218587
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Duration: --:-- min
Difficulty: -
Difficulty: -
Composer: -
Arranger: -
Arranger: -
Article Nr: 218941
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Oho-Polka Metodéj Prajka / Arr. Freek Mestrini
The Oho Polka is one of the most famous compositions by Metodej Prajkas (1898-1962). The composer had a significant influence on Moravian brass music, and renowned brass ensembles still perform his repertoire today including Mistrínanka!
Instrumentation:Wind orchestra, BeNeLux
Style / Type: Polka, Moravian
Composer:Metodej Prajka
Arranger: Freek Mestrini
Difficulty Leve ...
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Duration: 3:33 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 106271
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Sei doch nicht so brav! Franz Bummerl / Arr. Franz Bummerl
Titel 1 mit Text-/Gesangsstimmen
Sei doch nicht so brav!
Besetzung / Instrumentation: Blasorchester
Stil / Art: Marsch-Polka, Böhmisch
Komponist: Franz Bummerl
-
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Spieldauer: 00:02:35
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A5
Sei doch nicht so brav! - eine flotte Polka von Franz Bummerl.
Sei d ...
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 106161
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Südböhmische Polka - 7er Besetzung Ladislav Kubes / Arr. Berthold Schick
Südböhmische Polka
Besetzung / Instrumentation: 7er Besetzung
Stil / Art: Polka, Böhmisch
Komponist: Ladislav KubesBerthold Schick
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: 00:03:11
Interpret: Berthold Schick & seine Allgäu 6
Format: DIN A4
Erscheinungsjahr: 2020
Die kleine Besetzung mit Blechblasinstrumenten stellt die Wurzel innerhalb der Böhmischen Blasm ...
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Duration: 3.11 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 849529
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Trara es brennt - Nemám, nemám (Polka) Rudolf Lamp / Arr. Walter Tuschla
Die Polka Trara es brennt ist ein unterhaltsamer Stimmungsbringer. Zu Beginn wechseln sich die spritzige Melodien der Blechbläser mit dem heiteren Spiel des Holzsatzes ab. Der spätere Gesang im Trio greift den Titel der Polka auf Trara es brennt! Hierbei soll kein Feuer, sondern ein brennendes Herz gelöscht werden, welches Liebeshungrig nach der angebeteten Marie ruft.
Blas ...
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Duration: 3:20 min
Difficulty: 3
Difficulty: 3
Article Nr: 106363
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Venkovska (Schützenfest) Polka Karel Vacek / Arr. Franz Bummerl
Venkovska (Schützenfest-Polka)
M: Karel Vacek Arr: Franz Bummerl
Grad: U-M / 2
Venkovska
Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Karel Vacek
Arrangement: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: 02:50
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A5
Erscheinungsjahr: ...
40,00 €
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Duration: 2:50 min
Difficulty: 2
Difficulty: 2
Article Nr: 165698
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Vyhravala Kapela (Die Kapelle hat gewonnen) Antonin Borovicka
"Vyhravala Kapela" (Die Kapelle hat gewonnen) ist eine Polka mit Gesang von Antonin Borovicka. Der Gesangstext von Jiri Voldan in tschechischer Sprache ist in der Ausgabe enthalten.Besetzungsliste / Instrumentation:
Direktion in C
Klarinette in Es
1. Klarinette in B
2. Klarinette in B
1. Flügelhorn in B
2. Flügelhorn in B
1. Trompete in B
1. Tenorhorn in B
Bariton in ...
20,00 €
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Duration: 3:00 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 153463
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Zwei Tränen Karel Vacek / Arr. Franz Bummerl
Besetzung: Blasorchester
Stil / Art: Konzertpolka, Böhmisch
Komponist: Karel Vacek
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe | 2
Spieldauer: 00:02:49
Interpret: MORAVANKA
Aufnahme: Moravanka - Speziell für Sie (CD9010)
Format: DIN A4
Die Konzert-Polka Zwei Tränen ist eines der bekanntesten Werke von Jan Slabak und seiner MORAVANKA
Weitere ...
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Duration: 2:55 min
Difficulty: 2
Difficulty: 2
Article Nr: 106399
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