Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Maruschka
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Antonin Kur
Frank Ecker
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Spieldauer: 00:03:00
Interpret: Elmar Wolf & die neuen Egerländer
Aufnahme:
Format: DIN A4
Erscheinungsjahr: 1998
Weitere Titelfassung: Maruska
Maruschka
Polka
Antonin Kur
Frank Ecker
EWOTON
Noten
Die Maruschka Polka is ...
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Difficulty: -
Difficulty: -
Composer: -
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Article Nr: 202885
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Mährische Trachtenpolka Antonin Zvacék / Arr. Freek Mestrini
Mährische Trachtenpolka
Besetzung / Instrumentation: Blasorchester
Komponist: Antonin Zvacek
Bearbeiter: Freek Mestrini
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe 2+
Spieldauer: 03:00
Interpret: Elmar Wolf & die neuen Egerländer
Aufnahme:
Format: DIN A4
Erscheinungsjahr: 1998
Eine wunderbare märische Melodie von Antonin Zvacek. Originalnoten von Elmar Wolf & die ...
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Duration: 3:00 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 202884
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Kuckucks-Polka Hubert Wolf / Arr. Frank Ecker
Kuckucks-Polka
Besetzung / Instrumentation: Blasorchester
Komponist: Hubert Wolf
Arrangeur: Frank Ecker
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:03:00
Interpret: Hubert Wolf & seine Böhmerwälder Musikanten
Format: DIN A4
Erscheinungsjahr: 1997
Die Kuckucks-Polka von Hubert Wolf - eine gewitzte musikalische Hommage an den Vogel unserer Heimatwälder ...
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Article Nr: 202882
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Im kleinen Dörfchen Wenzel Valcek / Arr. Frank Ecker
Im kleinen Dörfchen
Besetzung: Blasorchester
Komponist: Wenzel Valcek
Arrangeur: Frank Ecker
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:03:00
Interpret: Elmar Wolf & die neuen Egerländer
Aufnahme: 'Danke an meine Freunde' - Elmar Wolf & die Neuen Egerländer
Format: DIN A4
Erscheinungsjahr: 1997
Im kleine Dörfchen, eine beschwingt-heitere Polka von ...
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 202881
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Der Strohwitwer - 7er Besetzung Ernst Mosch / Arr. Berthold Schick
Der Strohwitwer
Besetzung: 7er Besetzung
Komponist: Ernst Mosch
Arrangeur: Berthold Schick
Stil / Art: Polka
Schwierigkeitsgrad: Mittelstufe
Spieldauer: 00:03:00
Interpret: Berthold Schick & seine Allgäu 6
Aufnahme: -
Format: DIN A4
Erscheinungsjahr: 2019
Beschreibung
Die kleine Besetzung mit Blechblasinstrumenten stellt die Wurzel innerhalb der Böhmischen Blasmusik ...
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Duration: 3 min
Difficulty: 3
Difficulty: 3
Article Nr: 849526
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Herzweh - Polka Slava Tkacuk / Arr. Bernhard Knittel
Originalnoten von Ernst Mosch und seinen Original Egerländer Musikanten
Eine der frühen Perlen von Ernst Mosch und seinen Original Egerländer Musikanten aus den 50er und 60er Jahren.
Auf Grund zahlreicher Kundenfragen bereits jetzt erstmals im Druck erschienen!
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Slava Tkacuk
Arrangeur: Bernhard Knittel
...
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Duration: 2:43 min
Difficulty: 3
Difficulty: 3
Article Nr: 179106
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Musikantenzeit Otwin Balser / Arr. Frank Ecker
Bestens als Eröffnungstück ihres Konzerts geeignet - 5 große Trommelschläge als Einleitung werden ihr Publikum überraschen!
Musikantenzeit
Die Polka 'Musikantenzeit' eignet sich als Eröffnungstück für ein Konzert. Fünf große Trommelschläge als Einleitung werden Ihr Publikum überraschen!
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Duration: 2:17 min
Difficulty: 3
Difficulty: 3
Article Nr: 172130
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Böhmisch-Mährisch muss es sein Frantisek Manas / Arr. Bernhard Knittel
Böhmisch-Mährisch muss es sein
Besetzung / Instrumentation:Blasorchester
Stil / Art: Art: Polka, Böhmisch, Mährisch
Komponist: Frantisek ManasArrangeur: Bernhard Knittel
Schwierigkeitsgrad: Mittelstufe
3
Spieldauer: 00:03:30
Interpret: -
Format: DIN A4
František Manas hielt enge freundschaftliche Verbindungen nach Südmähren - sowohl privat als auch musikalisch. Aus di ...
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Duration: 3:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 172129
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Rumpelstilzchen-Polka Frantisek Manas / Arr. Bernhard Knittel
Rumpelstilzchen-Polka
Frantiek Manas komponierte die Polka ze zádovic (Polka aus Zadovice) durch eine freundschaftliche Verbindung nach Zadovice in Südmähren. Bei der Übernahme des Werkes durch Orchester in Deutschland fiel auf, dass einige Passagen dieser brillanten Polka an den Tanz von Rumpelstilzchen ums Feuer erinnert. Somit erhielt die Polka aus Zadovice ihren Namen Rumpe ...
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Duration: 2:13 min
Difficulty: 4
Difficulty: 4
Article Nr: 172128
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Witkowitzer Kirchweih Gerald Weinkopf / Arr. Bernhard Knittel
Witkowitzer Kirchweih
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Gerald Weinkopf
Arrangeur: Bernhard Knittel
Schwierigkeitsgrad: Mittelstufe
3
Dauer: 00:02:44
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Eines der ersten Werke, welches von Ernst Mosch in den 50er Jahren in das Repertoire der Original Egerländer Musikan ...
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Duration: 2:44 min
Difficulty: 3
Difficulty: 3
Article Nr: 172127
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Der Holzwurm Josef Charvat
Der Holzwurm
Besetzung / Instrumentation: Bb-Klarinette & Klavier
Komponist: Josef Charvat
-
Stil / Art: Konzert-Polka
Schwierigkeitsgrad: Oberstufe (5)
Format: DIN A4
Erscheinungsjahr: 1995
Eine in Böhmen sehr bekannte Konzertpolka für eine Bb-Klarinette und Klavier von Josef Charvat. Auch bekannt unter ihrem tschechischen Namen Solo ma klarinet.
Besetzung / Instrume ...
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Difficulty: 5
Difficulty: 5
Article Nr: 169148
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Junge Mädchen / Lass mich nie allein Ernst Mosch
Junge Mädchen / Lass mich nie allein
Junge Mädchen
Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Stefan Witz
Arrangeur: Gerald Weinkopf & Franz Bummerl
Schwierigkeitsgrad: Mittelstufe | 3
Dauer: 2:50
Interpret: Ernst Mosch und seine Original Egerländer Musikanten
Aufnahme: -
Format: DIN A4
Erscheinungsjahr: 29.01.1966 - Vertrag m ...
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Duration: 2:50 & min
Difficulty: 3
Difficulty: 3
Article Nr: 169098
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Das ist mein Leben Franz Watz
Das ist mein Leben ist eine der erfolgreichsten, wenn nicht DIE erfolgreichste Polka, von Franz Watz.
Besetzung: Blasorchester
Stil / Art: Bravour-Polka, Böhmisch
Komponist: Franz Watz
Arrangeur: -
Schwierigkeitsgrad: Mittel-Oberstufe | 4
Spieldauer: 03:35
Interpret: Elmar Wolf & die Neuen Egerländer
Aufnahme: Egerländer Wunschkonzert (CD9042) & EWO Disc 10 (CD8010) ...
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Duration: 3:35 min
Difficulty: 4
Difficulty: 4
Article Nr: 169061
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Aus Böhmen kommt die Musik / Zillertaler Hochzeitsmarsch Christian Bruhn / Arr. Walter Tuschla
Aus Böhmen kommt die Musik
Besetzung: Oberkrainer-Besetzung
Komponist: Christian Bruhn
Arrangeur: Walter Tuschla
Stil / Art: Polka
Schwierigkeitsgrad: Mittelstufe
Spieldauer: 00:04:30
Interpret: Gitti & Erika
Aufnahme: -
Format: DIN A5
Erscheinungsjahr: 1989
Zillertaler Hochzeitsmarsch
Besetzung: Oberkrainer-Besetzung
Komponist: Traditional
Arrangeur: Walter T ...
16,00 €
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Duration: 4:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 168867
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Einmal nur Erwin Wolf / Arr. Franz Bummerl
Die bekannte Polka 'Einmal nur' der Original Egerländer Musikanten. Auf vielfachen Wunsch erstmals seit über 20 Jahren im Druck - selbstverständlich im original Egerländer-Arrangement von Franz Bummerl (Erweiterungsstimmen Bernhard Knittel). Erwin Wolf, bereits seit Ende der 50er Jahre Posaunist bei den Original Egerländer Musikanten, komponierte diese Polka 1967. Im darauffolg ...
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Duration: 2:20 min
Difficulty: 2
Difficulty: 2
Article Nr: 163620
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Egerländer Dorfpolka (Himmelblaue Augen) Alexander Pfluger
Egerländer Dorfpolka
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Duration: 2:50 min
Difficulty: 3
Difficulty: 3
Article Nr: 138815
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