Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Heut ist unser Hochzeitstag (auch bekannt als:) Die Kapelle hat gewonnen (Vyhravala Kapela) / Es war im Böhmerwald Antonin Borovicka / Arr. Franz Bummerl
Heut ist unser Hochzeitstag (Die Kapelle hat gewonnen) (Polka) / Es war im Böhmerwald (Walzer)
Doppelausgabe mit Text-/Gesangsstimmen
Heut ist unser Hochzeitstag (Die Kapelle hat gewonnen)
Besetzung / Instrumentation: Blasorchester
Stil / Art: Art: Polka mit Gesang, Böhmisch
Komponist: Antonin Borovicka
Texterdichter: Elmar Wolf
Arrangeur: Frank Ecker
Schwierigkeit ...
50,00 €
inc. tax
plus shipping
plus shipping
Duration: 3:00 + 3:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 132657
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Gablonzer Perlen (Snad Vzpomenes) Antonin Borovicka / Arr. Franz Bummerl
Besetzung:Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Antonín Borovicka
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Mittelstufe 3
Spieldauer: 00:03:50
Interpret: Ernst Mosch und seine Original Egerländer Musikanten & Elmar Wolf und seine Egerländer
Aufnahme: CD Die schönsten Polkas & Walzer der Welt (Elmar Wolf & die Neuen Egerländer)Format: DIN A4Besetzungsl ...
50,00 €
inc. tax
plus shipping
plus shipping
Duration: 3:50 min
Difficulty: 2
Difficulty: 2
Article Nr: 98975
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Egerländer Musikantenpolka (Hostvicka) Jaroslav Tvrdy / Arr. Franz Watz
EGERLÄNDER MUSIKANTENPOLKA
Alternativer Titel: HOSTIVICKA (Originaltitel )
Alternativer Titel: HOSTIVICKA POLKA
Alternativer Titel: HOSTIWITZER POLKA
Alternativer Titel: EGERLAENDER MUSIKANTEN-POLKA
Alternativer Titel: KEINE IST SO WIE DU
Alternativer Titel: KEINE IST SO LIEB WIE DU
Komponist: Jaroslav Tvrdy
Arrangeur: Franz Watz
Original Interpret: Elmar Wolf & die ...
45,00 €
inc. tax
plus shipping
plus shipping
Duration: 3:10 min
Difficulty: 2
Difficulty: 2
Article Nr: 106054
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Späte Liebe (Marie Polka) Alois Aust / Arr. Franz Bummerl
ursprüngliche Mosch Ausgabe (1985) in DIN A5 quer - Format
Ernst Mosch und seine Original Egerländer Musikanten
Besetzung: Blasorchester
Komponist: Alois Aust
Arrangeur: Franz Bummerl
Stil / Art: Polka
Schwierigkeitsgrad: Mittel-/Mittelstufe
Spieldauer: 2:40
Interpret: Ernst Mosch und seine Original Egerländer Musikanten
Aufnahme: -
Format: DIN A5
Erscheinungsjahr: ...
40,00 €
inc. tax
plus shipping
plus shipping
Duration: 2:40 min
Difficulty: 3
Difficulty: 3
Article Nr: 188521
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Kesselflicker-Polka Wenzel Zittner / Arr. Franz Bummerl
Ernst Mosch - Kesselflicker-Polka
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Wenzel Zittner
Arrangeur: Gerald Weinkopf / Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe | 2
Spieldauer: 00:03:02
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Aufnahme: -
Format: DIN A4
Erscheinungsjahr: -
Eine gemütliche und gefällige Polka ...
50,00 €
inc. tax
plus shipping
plus shipping
Duration: 3:03 min
Difficulty: 2
Difficulty: 2
Article Nr: 101412
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Garten-Polka / Schön ist das Leben Antonin Borovicka / Arr. Franz Bummerl
mit Text-/Gesangsstimmen
Garten-Polka / Schön ist das Leben
Garten-Polka
Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Antonin Borovicka
Textdichter: Franz-Josef Ulmer
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: 00:02:36
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Schön ist ...
50,00 €
inc. tax
plus shipping
plus shipping
Duration: 2:36 + 3:09 min
Difficulty: 2
Difficulty: 2
Article Nr: 106129
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Solo Starkum Dominik Strouhal
Artikelnummer: JS78
Besetzung: Tschechische Besetzung
Stil / Art: Art: Mährisch, Polkas
Komponist: Dominik Strouhal
Arrangeur: -
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Interpret: MORAVANKA
Format: DIN A5
28,00 €
inc. tax
plus shipping
plus shipping
Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 218174
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Löffelpolka (Löffel Polka) Antonin Borovicka / Arr. Gerald Weinkopf
Besetzung: Blasorchester
Komponist: Antonin Borovicka
Arrangement: Gerald Weinkopf
Stil / Art: Polka mit Löffel-Solo
Schwierigkeitsgrad: Mittelstufe 3
Spieldauer: 03:00
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Erscheinungsjahr: 1982
Ursprünglich als reines Instrumentalstück unter dem Titel Nejhezcí koutek (Gema Werknummer: 1328633) ...
50,00 €
inc. tax
plus shipping
plus shipping
Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 111689
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Frag mich nie / Rosen so rot Frantisek Manas / Arr. Franz Bummerl
Frag mich nie / Rosen so rot
Frag mich nie (Jen mi hraj kapelo)
Besetzung / Instrumentation:Blasorchester, BeNeLux
Stil / Art: Art: Polka, Böhmisch
Komponist: Frantisek Manas
Textdichter: Franto Linharek
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe
Dauer: 00:03:41
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Rosen so ...
50,00 €
inc. tax
plus shipping
plus shipping
Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 106113
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Beim Musikantenwirt (Polka) Lukas Bruckmeyer
Eine wunderschöne Polka, die allen Wirten gewidmet ist, die wöchentlich oder sogar täglich
Musiker in ihrer Gaststätte empfangen. Die Inspiration kam nach einem Besucher einer
Musikerwirtschaft.
Junges Fieber - Leitung Lukas Bruckmeyer
Junges Alter, gepaart mit Erfahrung, Gefühl, Können und Talent. Der 1993 geborene Forheimer
Lukas Bruckmeyer ist die leitende Position im musika ...
45,00 €
inc. tax
plus shipping
plus shipping
Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 163066
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Lebenslinien Lukas Bruckmeyer
Lebenslinien
Besetzung: Blasorchester
Komponist: Lukas Buckmeyer
Stil / Art: Konzert-Polka
Schwierigkeitsgrad: Mittelstufe
Spieldauer: 00:03:35
Interpret: Vollblutmusikanten
Aufnahme: G'schmoidig Böhmisch (CD9046) & 5 Jahre - Kameraden so wie wir (CD9047) & Lebenslinien (DT14009)
Format: DIN A4
Erscheinungsjahr: 2019
Partitur 6-zeilig / Condensed Score
Flöte / Fl ...
50,00 €
inc. tax
plus shipping
plus shipping
Duration: 3:35 min
Difficulty: 3
Difficulty: 3
Article Nr: 202963
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Teppichklopfer-Polka Georg Ernszt / Arr. Franz Bummerl
Teppichklopfer-Polka
Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Solo, Böhmisch
Komponist: Georg Ernszt
Arrangeur: Gerald Weinkopf, Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: 00:02:41
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A5
Die Teppichklopfer-Polka ist ein etwas anderes Solostück aus dem Repertoire ...
50,00 €
inc. tax
plus shipping
plus shipping
Duration: 2:41 min
Difficulty: 2
Difficulty: 2
Article Nr: 109854
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Auf Wanderschaft (Naladicka Polka) Antonin Borovicka / Arr. Franz Bummerl
Auf Wanderschaft
Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Josef Borovicka
Arrangeur: Franz Bummerl & Gerald Weinkopf
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: 00:02:43
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Weiterer Werktitel: Náladicka / Naladicka
Auf Wanderschaft / J. ...
45,00 €
inc. tax
plus shipping
plus shipping
Duration: 2:43 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 110188
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Erinnerung an Zirkus Renz Gustav Peter / Arr. Walter Tuschla
Erinnerung an Zirkus Renz
Besetzung: Blasorchester, Solo f. Xylophon / Akkordeon
Stil / Art: Galopp, Unterhaltung
Komponist: Gustav Peter
Arrangeur: Walter Tuschla
Schwierigkeitsgrad: Unter-/Mittelstufe | 2
Aufnahme:
Format: DIN A4
Der flotte Galopp Erinnerung an Zirkus Renz für Blasorchester und Solo für Xylophon oder Akkordeon.
Das Werk von Gustav Peter wurde s ...
60,00 €
inc. tax
plus shipping
plus shipping
Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 97656
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Jubiläumsgrüße (Slovacka polka) Frantisek Manas / Arr. Franz Bummerl
Jubiläumsgrüße
Besetzung: Blasorchester
Stil/Art: Polka, Böhmisch
Komponist: Frantisek Manas
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Mittelstufe | 3
Spieldauer: 00:02:41
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Aufnahme: CD Die schönsten Polkas & Walzer der Welt (Elmar Wolf & die Neuen Egerländer)Format: DIN A4 oder auch als Variante DIN A5
E ...
50,00 €
inc. tax
plus shipping
plus shipping
Duration: 2:41 min
Difficulty: 3
Difficulty: 3
Article Nr: 106202
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Stupava-Polka V. Jurca / Arr. K. Rappl
Stupava-Polka
Besetzung / Instrumentation:Blasorchester
Stil / Art: Art: Polka, Volkstümlich, Böhmisch
Komponist: Vladimir JurcaArrangeur: Klaus Rappl
Schwierigkeitsgrad: Unter-/MittelstufeDauer: 00:02:44
Interpret: Vöckla-Musikanten Ltg. Klaus Rappl
Format: DIN A5
Eine schwungvolle Polka aus der Feder Vladimir Jurcas als Hommage an die Stadt Stupava in der heutigen Slowakei!
...
40,00 €
inc. tax
plus shipping
plus shipping
* Information on availability is based on previous experiences. Prices and availability are subject to change without notice!